The Ansel Adams Gallery
Representing the Work of Ansel Adams and Select Landscape Photographers
Family Owned and Operated Since 1902
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We Buy and Consign

Understanding the Market

The Importance of Condition

Appraisals and Value Statements

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Glossary of Photographic Terms

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The Importance of Condition

The physical condition of an original photograph is a key element to its value. We have seen beautiful prints destroyed by carelessness or ignorance, and even when not destroyed, the print may have a value close to zero. The original photographs for sale by The Ansel Adams Gallery are primarily in “Excellent” or “Pristine” condition, although we will on occasion offer prints in “Very Good” condition.

Below are the criteria we use when judging the condition of a print.

Pristine

Absolutely no damage to the print surface. Also known as "mint". It is very rare that we will assign this condition to a print.

Excellent

Few minor flaws or damage to print surface, visible only under close inspection in a raking light.

Very Good

Numerous minor flaws or areas of damage to print surface, visible under close inspection in a raking (high angle) light.

Prints in “Very Good” or better condition will have no apparent damage under normal viewing conditions. We make an important distinction here in that your eye will always go to the known flaw, if visible. We identify and classify damage as a matter of required professional information. Prices will reflect condition. Even a highly trained eye will not pick up damage or flaws under normal viewing conditions.

Prints in “Good” condition will have visible damage under close inspection or if you know where to look.

Good

Numerous minor flaws or damage to print surface, visible under close inspection under standard viewing conditions and visible once noticed.

Fair

Flaws or damage that is readily visible from a standard (3 feet) viewing distance and / or visible once noticed.

Poor

Shocking

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