On Exhibit in Yosemite – Intrepid Light: Photographs by Charles Cramer

Charles Cramer and Ansel Adams have a lot in common, both have called Central California home, and early in the arc of their careers, both pursued music as a profession. Ultimately though, both would be lured away by the artistic promise of photography.

Seeing is Believing – Penny Otwell

There is immensity to Yosemite that relates to both time and place – it pervades us here; it makes us feel humble. But there is also a romantic courtship that seems so genuine that, in spite of our diminutive status within these walls

Dogwood Blossoms – A New Modern Replica

dogwood blossoms by Ansel Adams

Dogwood Blossoms – A New Modern Replica

In Yosemite right now, the waterfalls are roaring and the showy Dogwoods are in bloom! A true harbinger of Spring, the blossoms emerge like constellations of stars against the bare forest backdrop.

With this intimate and quiet photograph, Ansel Adams brought forth the striking serenity of nature, as William Blake once wrote, “there can be a world in a grain of sand, and heaven in a wildflower.”  Many of Adams’ images draw our attention to the beauty of the everyday through the close view of his camera. It’s been said that we only protect what we love, and we only love what we know.  Ansel Adams has helped us to know the natural world, and his images of the American landscape have inspired generations.

Ansel Adams made this image with a 5 inch by 7 inch view camera in 1938, the year he trekked through the high sierra with Edward Weston. To capture the 12 blossoms in this spectacular spray of dogwoods, he placed them atop a nearby rock covered with pine needles and lichen creating a very contemporary composition.

The Sierra Club published “Dogwood Blossoms” in 1960 after Ansel Adams selected it, along with 15 other images, for inclusion in Portfolio III, Yosemite Valley.  Later, Adams selected it for his Museum Set Collection, a retrospective portfolio of what he considered his strongest work. This striking image has been published in many books and catalogs and is one of his best-known photographs.

See this newly released Dogwood Blossoms Modern Replica, available in six sizes.

The Ansel Adams Gallery’s Inaugural Exhibition at AIPAD

The Ansel Adams Gallery proudly featured some of its finest examples of original, vintage, and mural-sized photographs by Ansel Adams at The Photography Show. The response was overwhelmingly positive from collectors, museum curators, art advisors, photographers and photo-enthusiasts.

For those of you who weren’t able to attend this year, we are pleased to offer a select number of these superb images for sale, including the ones featured below (all of which are framed to museum standards). The entire selection of our gallery’s available photographs can be viewed on our website under Original Photographs.

To take advantage of this exciting opportunity, please contact Brittany Moorefield, the Director of Photography Sales, by email at brittany@anseladams.com or by phone at (857) 523-8100. Read more about our experience at AIPAD this year!

El Capitan, Sunrise – $16,500 (framed)

Oak Tree, Sunset City – $12,900 (framed)


Ansel Adams Gallery Staff

The proud staff of The Ansel Adams Gallery: Stacey Bellis (Marketing Director), Matthew Adams (President), Brittany Moorefield (Director of Sales) and Evan Russel (Curator)


Vernal Fall – $10,900 (framed)


Merced River, Cliffs, Autumn – $9,900 (framed)


An inside view of Booth 707 – featuring Ansel Adams vintage photographs


Clearing Winter Storm – $22,500 (framed)


Oak Tree, Snow Storm – $25,500 (framed)


The front of the gallery’s booth, with the mural-size print of Winter Sunrise, Sierra Nevada from Lone Pine in the center


Forest Floor – $16,500 (framed)


Mannequins, Columbia Movie Lot – $18,500 (framed)


Matthew Adams (President) and Evan Russel (Curator) hung 36 photographs with care.


Monolith, The Face of Half Dome – $20,500 (framed)


A Grove of Tamarack Pine – $19,500 (framed)


The staff thoroughly enjoyed participating in the gallery’s first art fair!

About Our Experience at AIPAD 2018

Every year in April, photography dealers from around the world descend on New York for one of the world’s most prestigious annual photography events; this year was an exceptional gathering. The Photography Show, hosted by the Association of International Photography Art Dealers (AIPAD) is the longest-running and foremost exhibition dedicated to the photographic medium, offering a wide range of museum-quality work, including contemporary, modern, and 19th-century photographs. More than 100 of the leading fine art photography galleries from around the world, including the U.S., Europe, Asia, Canada, Mexico, the Middle East, and South America were represented in this 38th edition of the fair. The Ansel Adams Gallery was honored to be invited to this exciting and distinguished artistic venue.  

During the five day event, there were numerous talks by collectors, curators, critics and other influential members of the photography world. Thousands of people visited the exhibition and The Ansel Adams’ booth garnered quite a bit of attention from dealers and industry insiders who were amazed at our outstanding collection of works by Ansel Adams, particularly the five mural-sized photographs. Most fair-goers had never had the opportunity to view one mural, much less five! We believe that the Winter Sunrise mural, which was hung prominently in the center of our booth, was photographed more than any other work in the entire fair! One young boy walked by with his family and exclaimed, “Mommy, I know that picture, I saw it in a book, it’s Winter Sunrise!” Which shows, it is never too young to start art education! We also had several groups from local universities and photography clubs come by to discuss and admire up-close our iconic prints.

Matthew Adams, the grandson of Ansel Adams and current president of The Ansel Adams Gallery, was in attendance at our gallery’s booth throughout the fair. Many of the fairgoers were delighted to meet him in person, and in many cases, shared their personal stories of how Ansel Adams had touched their lives in a variety of different ways. We are grateful to our many collectors and fans that came to see us at AIPAD from as far away as San Diego, Chicago, Delaware and Philadelphia; we don’t always get to meet our clients in person, so it was a pleasure for us to get to know them and have the opportunity to discuss their interest in photography.  

Language of Light – An Exhibit by Alan Ross

Yosemite and Alan Ross have a storied history. Mr. Ross has been photographing this hallowed valley since he first came to work for Ansel Adams in 1974. Many adventures followed — the camera in tow as he developed his language of light.

“Light and Land” An Exhibit by Michael Frye

Photographer Michael Frye has been working in and around Yosemite National Park for three decades. During that time he has thoroughly explored this vast, beautiful, and diverse region

On Exhibit in Yosemite – Looking West: Photographs by Ansel Adams

Ansel Adams is a distinct paradigm of the American West from his wild adventures to his modern methods and embrace of technology, along with his romanticizing of the open spaces and their vernacular — and all the way down to his bolo and white stetson.

*New Acquisition* Original Photograph of Aspens, Northern New Mexico

Aspens, Northern New Mexico 1958 An Original Ansel Adams gelatin silver photograph

Original gelatin silver print of “Aspens, Northern New Mexico” available in a 16 x 20 inch format, signed in pencil, printed in the mid-1970s and in “Excellent” condition. Email fineprints@anseladams.com or call (888) 238-9244 for more details and pricing.

It may come as a surprise for some to learn that at one point in Ansel Adams’ life, he contemplated and was fraught with the decision whether to become a classical pianist or a photographer.

From a very early age, Ansel taught himself to play the piano and read music. He began taking formal lessons when he was twelve, and practicing the piano became an integral aspect to his home schooling. Two years later, he would visit Yosemite National Park for the first time with his family, and become utterly enthralled by its majestic beauty. By age eighteen, he had decided upon a career as a concert pianist, all the meanwhile having taken up photography as a burgeoning passion. The decision as to whether or not to pursue classical piano or fine art photography was quite difficult for him, something that he discusses in his autobiography. One could argue that the dedicated training and discipline required to play the piano during some of the most formative years of his childhood laid the foundational framework for his unwavering work ethic and dedication to photography.

In many ways, there is a musical and poetic element to Ansel’s photography. His ability to capture not only a “picture” but an “expression” of his own experiences is utterly magical. When he exposed the horizontal and vertical negatives of “Aspens, Northern New Mexico” he recalled the details of his experience: “I immediately knew there were wonderful images to be made in the area… We were in the shadow of the mountains, the light was cool and quiet and no wind was stirring. The aspen trunks were slightly greenish and the leaves were a vibrant yellow. The forest floor was covered with a tangle of russet shrubs. It was very quiet and visually soft, and would have been ideal for a color photograph…” Yet what Ansel envisioned in black-and-white was “a considerable departure from reality”. This underscores the significance of his ability to first visualize an image, and then through his technical mastery, record his own experience. Ansel Adams’ original photograph of “Aspens, Northern New Mexico” is a symphony of tonal values.

When you compare prints of “Aspens, Northern New Mexico” there can be quite a difference between one print to another. Some of the earlier prints that he made are lighter, whereas, some of the later prints are significantly darker. Much of the image itself is black; yet it is that brilliant glistening aspen tree in the center that stands out as a result of the high contrast that many associate with Ansel’s photography. He is often quoted for saying, “The negative is comparable to the composer’s score and the print to its performance. Each performance differs in subtle ways.” Many of these subtle details and delicate nuances distinguish one print’s “interpretation” from another. His formulation of the Zone System, along with highly disciplined and refined darkroom skills, informed his printmaking and resulted in beautiful individually hand-printed photographs, such as this example of “Aspens, Northern New Mexico”. Its richly detailed, pin-sharp clarity and overall balance in tonal variation distinguishes it as a superb example of fine art photography. Its classical overtones are indicative of his printing style during the mid-1970s, and its condition is excellent.

Ansel Adams was at times quiet, but incredibly expressive throughout his career: first as an aspiring concert pianist, then as a world renown photographer. In many ways he changed the course of history, not only through his printed photographs, but in a myriad of other ways – as an ardent environmentalist, founder of Group f/64, pioneer of the Zone System, and key player in establishing the photography department at the Museum of Modern Art. With his hands he created extraordinary photographs. With his words he inspired others through his poetic commentary, persuasive language and informative writings. In doing so, he brought photography into the same realm of painting, music and other fine art forms, similarly capable of expressing and evoking the human emotion and our response to the beauty in nature.

Virtually everyone with whom he encountered has a memorable and favorable story about Ansel Adams. Music would continue to inform his work, and color his livelihood with a piano stationed in his living room, amidst photographic prints, murals, and other artifacts that the Adams collected over the years. If you could go back in time and mingle at one of the Adams’ cocktail parties or social gatherings, you might have heard the lively touch of his fingertips at the piano.

The Ansel Adams Gallery will be introducing a sensational mural of “Aspens, Northern New Mexico” in a large horizontal 32×40 inch format. Recently at Christie’s 2017 spring auction, a mural of the same image, with similar but slightly smaller dimensions, sold for $440,000. To learn more about our gallery’s selection of murals, please contact the Director of Photography Sales, Brittany Moorefield, by email at brittany@anseladams.com or by phone at (888) 238-9244.