In 1943, one of America’s best-known photographers documented one of the best-known internment camps.
Seventy-five years ago, nearly 120,000 Americans were incarcerated because of their Japanese roots after the bombing of Pearl Harbor. More than 10,000 were forced to live in the hastily built…
http://anseladams.com/wp-content/uploads/2017/02/AD001335_LoRes.jpg480564William Garnseyhttp://anseladams.com/wp-content/uploads/2016/02/Logo-OrangePMS173-437x200-300x137.pngWilliam Garnsey2017-02-28 19:41:562017-02-28 19:47:48View Daily Life in a Japanese-American Internment Camp Through the Lens of Ansel Adams
Ansel Adams made this image around 1959 with an 8" x 10" view camera. The image was once used in a commercial job, as he recalls in "Ansel Adams: An Autobiography:"
“In 1969, for one of my last commercial jobs, I selected a photograph, "Yosemite Valley , Winter"…for reproduction on a Hills Brothers…
Hospitality: 5:00 p.m.
Presentation: 6:00 p.m.
312 Sutter Street, Suite 500, San Francisco, CA
Michael Adams will give an illustrated talk about Ansel Adam’s life and legacy, including the photographer’s youth in San Francisco, his exposure to music, and his relationship to the landscape of…
Ansel Adams made this image with an 8" x 10" view camera sometime before 1959. The specific date is unknown, but astronomers at Texas State University in San Marcos dated a similar image, "Autumn Moon," to 7:03 PM September 15, 1948 .
The image captures the moon rising over the Clark…
http://anseladams.com/wp-content/uploads/2016/11/5010118-u-2.jpg395500William Garnseyhttp://anseladams.com/wp-content/uploads/2016/02/Logo-OrangePMS173-437x200-300x137.pngWilliam Garnsey2016-11-09 19:44:392016-11-09 19:44:39Moonrise from Glacier Point
Ansel Adams made this image on a chilly late autumn morning in 1939 with an 8" x 10" view camera and 10-inch Kodak Wide-Field Ektar lens. The Cathedral Rocks loom in the background. He took the photo from west side of the El Capitan bridge over the Merced River in Western Yosemite Valley .
This month, for our final offer of 2016, we have arranged to present two hand-coated platinum and palladium prints from Jeffrey Conley: “El Capitan, Summer” and “Southern Alps Waterfall #2, New Zealand," each available in the respective sizes of 8"x6.5" and 6.5"x6.5". Jeff's platinum prints in the slightly larger sizes of 8"x10" and 8"x8" normally begin at $2,000, however, you can add one of these uniquely sized prints to your private collection for $500
http://anseladams.com/wp-content/uploads/2016/10/Southern-Alps-Waterfall-_2-NZ-2011-e1475948621148.jpg600600William Garnseyhttp://anseladams.com/wp-content/uploads/2016/02/Logo-OrangePMS173-437x200-300x137.pngWilliam Garnsey2016-10-10 17:17:022016-11-09 23:49:16Unique Offer in Fine Art Photography - Jeffrey Conley
The “artistic interpretation” of Yosemite, a place steeped in visual mythology and hewing tradition, is not to be taken or enacted lightly. As a summation of this long standing relationship between park and art, local painter Penny Otwell has said: “Drawing and painting in Yosemite all these…
It was the Deep Water Horizon oil spill in the Gulf of Mexico that inspired two friends to create IMA's newest show. Curator Jeanne Falk-Adams and Barbara Cox, artist agent, created Fragile Waters at IMA April 23 - Sept. 5.
"We need water, clean water. It isn't possible to live without it," said Falk-Adams.
The idea behind Fragile Waters, Falk-Adams said, was to connect people through the arts, portraying the beauty of water, from rivers and wetlands to the oceans, letting them draw their own conclusions. To accomplish this, the show combines the work of her father in-law, Ansel Adams, Ernest Brooks II and Dorothy Kerper Monnelly, interspersed with quotes to give people what Falk-Adams describes as breathing room, to process the information.
http://anseladams.com/wp-content/uploads/2016/04/fragile.jpg250500Guest Authorhttp://anseladams.com/wp-content/uploads/2016/02/Logo-OrangePMS173-437x200-300x137.pngGuest Author2016-04-24 13:45:192016-05-09 20:34:46Fragile Waters at IMA