By Robin Lubbock https://www.wbur.org/artery Leaning close into Ansel Adams’ photograph “Canyon de Chelly National Monument,” created in 1942, I saw the fine dark outline of a tree, far away, down by the river. It was so clear, and so sharp, I felt like I could reach out my hand and gently lift it from the […]
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The National Parks are in partial shutdown. But America’s wilderness shines in a show at the Museum of Fine Arts in Boston that reveals how human intervention has changed purple mountains’ majesty. By Vicki Goldberg – The New York Times January 17, 2019 BOSTON — Ah, wilderness! It’s our answer to Europe’s cathedrals, our […]
By William Turnage, Reprinted courtesy of the author and Oxford University Press
Ansel Adams, photographer and environmentalist, was born in San Francisco, California, the son of Charles Hitchcock Adams, a businessman, and Olive Bray. The grandson of a wealthy timber baron, Adams grew up in a house set amid the sand dunes of the Golden Gate. When Adams was only four, an aftershock of the great earthquake and fire of 1906 threw him to the ground and badly broke his nose, distinctly marking him for life. A year later the family fortune collapsed in the financial panic of 1907, and Adams’s father spent the rest of his life doggedly but fruitlessly attempting to recoup.
An only child, Adams was born when his mother was nearly forty. His relatively elderly parents, affluent family history, and the live-in presence of his mother’s maiden sister and aged father all combined to create an environment that was decidedly Victorian and both socially and emotionally conservative. Adams’s mother spent much of her time brooding and fretting over her husband’s inability to restore the Adams fortune, leaving an ambivalent imprint on her son. Charles Adams, on the other hand, deeply and patiently influenced, encouraged, and supported his son.
News and information from print and web related to Ansel Adams and the Ansel Adams Gallery.
It was the Deep Water Horizon oil spill in the Gulf of Mexico that inspired two friends to create IMA’s newest show. Curator Jeanne Falk-Adams and Barbara Cox, artist agent, created Fragile Waters at IMA April 23 – Sept. 5.
“We need water, clean water. It isn’t possible to live without it,” said Falk-Adams.
The idea behind Fragile Waters, Falk-Adams said, was to connect people through the arts, portraying the beauty of water, from rivers and wetlands to the oceans, letting them draw their own conclusions. To accomplish this, the show combines the work of her father in-law, Ansel Adams, Ernest Brooks II and Dorothy Kerper Monnelly, interspersed with quotes to give people what Falk-Adams describes as breathing room, to process the information.
Presented by Jeanne Adams – January 7, 2016 @ 7:00 PM – 9:00 PM.
The Mariners’ Museum’s Liquid Light exhibition is a pioneering look at the world beneath the ocean. It would not have been possible without the efforts of world-renowned photography expert Jeanne Adams. Adams, the daughter-in-law of noted photographer Ansel Adams, is a strong advocate for the power of the photograph in telling nature’s stories. Her relationships with underwater photographers are helping to bring this beautiful, emerging art form into the global spotlight. Get an insider’s perspective of the making of Liquid Light from Adams in this presentation. Cost: $5 for Non-Members. Free for Members.
The love affair began with a Kodak No. 1 Box Brownie when Ansel Adams was just 14 in 1916.
A shy boy, home-schooled by his father and grandmother in San Francisco, Adams toted the camera to the Yosemite Valley on a trek that would change his life.
Later, Adams would write: “I knew my destiny… when I first experienced Yosemite.”
The iconic work of one of the giants in the field of landscape photography is the focus of the Tyler Museum of Art’s exhibition, Ansel Adams: Early Works opening Sunday.
Ansel Adams was already world-famous for his groundbreaking black-and-white photographs of the American West when he was invited by his friend Ralph Merritt to document the Manzanar War Relocation Center, a Japanese internment camp, where Merritt was director. It was a risky career move for a man so thoroughly established as a landscape photographer, but Adams was compelled to witness life there and make a record of it.
In the 1970s, photographer Mike Mandel asked his famous colleagues to pose for a pack of baseball cards. The results are as amazing as you’d imagine.
orget that 1989 Ken Griffey Jr. Upper Deck card or your 1952 Topps Mickey Mantle, the real baseball card prize is the Ansel Adams rookie. How many of you can say you have that in your parents’ attic?
The Adams card is one of 135 cards in the “Baseball Photographer Trading Cards” set, a whimsical and unique collectible that’s equal parts art and spoof.
THE ANSEL ADAMS GALLERY
YOSEMITE NATIONAL PARK, CA 95389